In "Theorizing Myth", Bruce Lincoln traces the way scholars and others have used the category of "myth" to fetishize or deride certain kinds of stories, usually those told by others. He begins by showing that "mythos" yielded to "logos" not as part of a (mythic) "Greek miracle", but as part of struggles over political, linguistic, and epistemological authority occasioned by exp...(展开全部)

In "Theorizing Myth", Bruce Lincoln traces the way scholars and others have used the category of "myth" to fetishize or deride certain kinds of stories, usually those told by others. He begins by showing that "mythos" yielded to "logos" not as part of a (mythic) "Greek miracle", but as part of struggles over political, linguistic, and epistemological authority occasioned by exp...(展开全部)

约翰·霍克斯（1925-1998），美国著名先锋派和后现代主义作家，美国艺术文学院院士，古根海姆学者奖（1962）、埃特兰格尔奖（1973）和法国美第斯奖（1986）得主。1925年，约翰·霍克斯出生于康涅狄格州，1943年由柏丽高中进入哈佛大学，1949年获得艺术学学士学位，期间曾出版诗集《堕落的庄园》。由哈佛毕业后，霍克斯分别任教于哈佛大学、斯坦福大学和布朗大学。 约翰·霍克斯是一位多产的作家，他一生创作了十八部小说，其中包括《血橙》、《食人者》、《疾速旅程》、《激情的画者》和《血与皮肤的幽默》等，1966年他还创作了戏剧《无辜群》。

《Blood X Blood:血族传说》：★Magic Box系列压轴大戏！ ★9.5亿积分——晋江半年榜力压群芳的绝对冠军！ ★千万粉丝为之疯狂，长评数刷新晋江最高纪录！ ★TOP1人气王妖舟最新作品！ 在我漫长的一生中，从未如此渴望一个人的气息…… 第一口鲜血的甜美，注定与爱情联袂。 史上最惊心动魄，最魅惑众生的吸血鬼传说。 《穿越与反穿越》后，妖舟强势出击 鸦片般欲罢不能的纠缠，是食物，还是爱人？

《Blood X Blood:血族传说》：★Magic Box系列压轴大戏！ ★9.5亿积分——晋江半年榜力压群芳的绝对冠军！ ★千万粉丝为之疯狂，长评数刷新晋江最高纪录！ ★TOP1人气王妖舟最新作品！ 在我漫长的一生中，从未如此渴望一个人的气息…… 第一口鲜血的甜美，注定与爱情联袂。 史上最惊心动魄，最魅惑众生的吸血鬼传说。 《穿越与反穿越》后，妖舟强势出击 鸦片般欲罢不能的纠缠，是食物，还是爱人？

约翰·霍克斯（1925-1998），美国著名先锋派和后现代主义作家，美国艺术文学院院士，古根海姆学者奖（1962）、埃特兰格尔奖（1973）和法国美第斯奖（1986）得主。1925年，约翰·霍克斯出生于康涅狄格州，1943年由柏丽高中进入哈佛大学，1949年获得艺术学学士学位，期间曾出版诗集《堕落的庄园》。由哈佛毕业后，霍克斯分别任教于哈佛大学、斯坦福大学和布朗大学。 约翰·霍克斯是一位多产的作家，他一生创作了十八部小说，其中包括《血橙》、《食人者》、《疾速旅程》、《激情的画者》和《血与皮肤的幽默》等，1966年他还创作了戏剧《无辜群》。

Since 1857, hardly a year has gone by without a book or play or monograph or film about the Brontës. Each generation has reimagined Charlotte, Emily, and Anne in ways that reflect changing visions—of the role of the woman writer or of sexuality or of the very concept of personality. Charlotte Brontë has been seen as domestic saint, as sex-starved hysteric, as ambitious literary...(展开全部)

Since 1857, hardly a year has gone by without a book or play or monograph or film about the Brontës. Each generation has reimagined Charlotte, Emily, and Anne in ways that reflect changing visions—of the role of the woman writer or of sexuality or of the very concept of personality. Charlotte Brontë has been seen as domestic saint, as sex-starved hysteric, as ambitious literary...(展开全部)

Since 1857, hardly a year has gone by without a book or play or monograph or film about the Brontës. Each generation has reimagined Charlotte, Emily, and Anne in ways that reflect changing visions—of the role of the woman writer or of sexuality or of the very concept of personality. Charlotte Brontë has been seen as domestic saint, as sex-starved hysteric, as ambitious literary...(展开全部)

This afterlife explores one of the great legends of literary history, beginning with Charlotte Bronte's first attempts to mould her own and her sisters' public image, and following the Brontes through their many reincarnations at the hands of their biographers.